News

Saturday Evenings at Mendham

Conversations with Madame Ouspensky

Compiled and edited by
Dorothy Darlington

Gurdjieff Heritage Society

Copyright 2021 by D. Darlington and C. Smith

Available wherever books are sold, including Amazon and the following independent booksellers:

Bythewaybooks.com

Bookshop.org

Indiebound.com

This book provides entirely new source material for the Gurdjieff Work. It is an authentic transcription of talks given by Madame Ouspensky to her group at Mendham, distilled from notes taken by her pupils at the time.

Students of Gurdjieff’s Fourth Way know little about Madame Ouspensky’s thought or teaching because she left no written body of work-although some of her sayings were recalled by Robert de Ropp in his short account of his time with her. That has been virtually the only material extant. Until now.

Now, an authentic transcription of talks given by Madame Ouspensky to her group at Mendham is published here by the Gurdjieff Heritage Society. The talks, distilled from pupils notes, have been painstakingly compiled and edited by the late Dorothy Darlington who spent years with Madame and Mr Ouspensky and who had a special affinity with Madame.

COPYRIGHT 2021 by D. Darlington and C. Smith
The authors assert their moral rights in the work. Originally published as an ebook by Buzzword Books, Australia, 2018 ISBN: 978-1-7368823-0-6
Design by David Clark Perry. All rights reserved.
Gurdjieff Heritage Society, Inc.

VIEW SAMPLE HERE

Gurdjieff Heritage Society is focused on preserving source material from near and first generation students of Mr. Gurdjieff. We frequently receive offers of new collections and do our best with limited resources to add suitable material to the archive and make new documents and collections available to members.

In this direction we are sharing a list of documents recently activated in the archive. The set includes material from important figures in the work including Tom Daly, Irmis Popoff, Lord Pentland, Helen Adie, Sophie Ouspensky, and others. Click “GHS newly activated documents” to download the complete list.

We would also bring your attention to several complete collections added to the archive in the past months.

The Katherine Breithaupt Archive

Katherine Rodomar Breithaupt was a member of Lord Pentland’s Group in New York in the 1950s. She took part in “The Movements” when they were staged at Carnegie Hall, and spent many work weekends at Mendham. She was a close friend of both Jessmin and Dushka Howarth. Her collection contains early copies of manuscripts and books, newspaper articles, notes, and a photo of Mdm. de Hartmann. This collection was donated to the GHS by her daughter, Kate Breithaupt.

The Gurdjieff Writings Archive

This collection contains material written by G.I. Gurdjieff. We have recently added an exact facsimile of the 1950 edition, which is also publicly available here.

The Muriel Draper Archive

Includes correspondence, photographs, and manuscripts from the collection of a primary American student of Gurdjieff.

The Paul and Naomi Anderson Archive

Members of the Orage groups in New York, Paul and Naomi Anderson were also with Gurdjieff at the Institute in France. Gurdjieff visited them in Washington, D.C. where they were instructed to organize and run groups. Among the original members of the Gurdjieff Foundation in New York, the Andersons later went their own way in keeping with their own instructions from Mr. Gurdjieff. This collection contains several of Mr. Anderson’s unpublished writings and talks.

To access these collections become a member of Gurdjieff Heritage Society. Your membership makes possible the work of our volunteer team in gathering and presenting these valuable materials. Please join us by applying on this page.

Wednesday 3rd May to Sunday 7th May, 2017 — Krokstad Herrgård Hotel, Säffle, Sweden

Below are the dates and times for Greg Loy’s presentations. Greg is President of the GHS and Publisher of the GIR.

Greg Loy: Presentation on behalf of Gurdjieff Heritage Society
Thursday, 4 May 2017 – 4:15 pm

Greg Loy: Presentation about the Gurdjieff International Review
Saturday, 6 May 2017 – 2:30 pm

Website at http://aandeconference.org/

Creator: Howarth, Dushka

Call number: (S) *MGZMD 412

Physical description: 23.85 linear feet (52 boxes, 3 volumes, 1 oversized folder); 14.5 Gigabytes (5131 computer files)

Preferred Citation: Howarth Gurdjieff Archive, (S) *MGZMD 412. Jerome Robbins Dance Division, The New York Public Library

Repository: Jerome Robbins Dance Division

Access to materials: Collection is open to the public. Library policy on photography and photocopying will apply. Advance notice may be required.Restrictions apply.

The Howarth Gurdjieff Archive holds Movement materials and writings collected by Dushka and Jessmin Howarth and the Gurdjieff Heritage Society to preserve the integrity of G.I. Gurdjieff’s teachings. The archive also holds Dushka and Jessmin Howarth’s personal papers and research for the book It’s Up To Ourselves: A Mother, A Daughter, and G.I. Gurdjieff: A Shared Memoir and Family Photo Album.

Funds for processing provided by the Gurdjieff Heritage Society, Inc.

GEORGE IVANOVICH GURDJIEFF

George Ivanovich (G.I.) Gurdjieff was a spiritual leader who advocated for achieving a higher state of consciousness through what he called “The Work” which was internal work on oneself. Born in Russia in the late 19th century to parents of Greek and Armenian origin, Gurdjieff taught in Russia, Georgia, Turkey, France, and eventually the United States.

Gurdjieff taught that the way to experience “The Work,” was actual physical labor. He emphasized strenuous labor combined with lectures, music, and sacred dance. His focus was to increase mindfulness and minimize daydreaming. Gurdjieff’s choreography, called “Movements,” was one method he used to help followers clear and focus their minds. The Movements were not intended for performance, but for spiritual contemplation. Practitioners would repeat movements over and over again until they were perfect and second-nature, allowing them to use the Movements as a form of meditation.

His followers included composer Thomas de Hartmann and his wife Olga, who became Gurdjieff’s secretary; Jeanne de Salzmann (who founded the Gurdjieff Foundation in 1949); Alfred Orage (who would eventually supervise The Work in New York); P.D. Ouspensky (one of Gurdjieff’s earliest followers) and many others. Among his early pupils was Jessmin Howarth, who became an expert on Gurdjieff’s Movements and how they should be performed. Other Movement students included Alfred Etievan and Marthe de Gainernon.

JESSMIN HOWARTH

Jessmin Howarth began her career as a dancer in 1912 when she registered at the Institute of Dalcroze Eurythmics in Germany, which eventually led to a job with the Paris Opera in the early 1920s. In Paris, Howarth encountered Jeanne de Salzmann, who introduced her to Gurdjieff. She immediately began studying the Movements and assumed the task of teaching and preserving the Movements as they were created.

On a Movement Demonstration trip to New York in 1924, Howarth discovered she was pregnant with Gurdjieff’s child. After giving birth to her daughter Dushka Howarth later that year, she moved to California and then London, returning to the United States at the start of World War II.

After Gurdjieff’s death in 1949, Howarth set about compiling accurate Movement notations and recordings and supervised the training of Movement instructors, assistants, and pianists. She travelled to France to assist Jeanne de Salzmann with filming Movements for posterity. She was also a consultant on the 1979 film Meetings with Remarkable Men. She retired from teaching Movements at the Gurdjieff Foundation in 1978, but continued to lead Movement Seminars until her death in 1984.

DUSHKA HOWARTH

Dushka Howarth was raised in the United States and London by her mother and had little contact with Gurdjieff as a child, though she learned of his teachings and the Movements. In 1949, she traveled to Paris with five other young women to train with Gurdjieff in the Movements, and went on to lead Movement classes in London. Howarth also worked as a tour guide in Paris, followed by a career as a folk singer under the name “Dushka, the Jet-Set Gypsy.”

In 1986, Jeanne de Salzmann’s daughter Nathalie de Etievan (wife of Alfred Etievan) asked Howarth to return to teaching Movements and join her in South America to help supervise and establish Movement classes. Howarth went on to visit South America many times over the next ten years and conducted Movement seminars, trained teachers, and recruited new pupils.

GURDJIEFF HERITAGE SOCIETY

Dushka Howarth was a founding member of the Gurdjieff Heritage Society, which sought to preserve the Movements and Gurdjieff’s teachings in their original form. To do this, members gathered original notes, photographs, music, and descriptions of Movements from around the world in order to compile definitive instructions for as many Movements as possible. The Society also lent resources and support to others undertaking Gurdjieff preservation projects, such as Gert-Jan Blom’s preservation of Gurdjieff’s harmonium recordings. As the artistic director of Netherland’s Metropole Orchestra, Blom was also able to produce full orchestra recordings of Gurdjieff’s music with assistance from the Society.

In 2009, the Gurdjieff Heritage Society published Dushka Howarth’s book It’s Up To Ourselves: A Mother, A Daughter, G.I. Gurdjieff, A Shared Memoir and Family Photo Album. Howarth researched the material for the book over a ten-year period and used her mother’s essays, correspondence, photographs, and the accounts of others to piece together the story of Jessmin Howarth’s life and her own experiences with Gurdjieff and his pupils. Dushka Howarth continued to work with the Gurdjieff Heritage Society until her death in 2010.
Scope and arrangement

The Howarth Gurdjieff Archive (1910-2010) holds notes and writings collected by Dushka and Jessmin Howarth and the Gurdjieff Heritage Society in order to preserve the integrity of G.I. Gurdjieff’s teachings and Movements (sacred dances), as well as Dushka and Jessmin Howarth’s family papers and research for the book It’s Up To Ourselves: A Mother, A Daughter, and G.I. Gurdjieff, A Shared Memoir and Family Photo Album.Audiovisual material from this collection has been separated. Inquiries regarding audiovisual material in the collection may be directed to the Jerome Robbins Dance Division (dance@nypl.org). Audiovisual material will be subject to preservation evaluation and migration prior to access.

The Howarth Gurdjieff Archive is arranged in four series:

Series I: Movements

Series I contains material compiled by the Gurdjieff Heritage Society and Dushka and Jessmin Howarth with the intent of organizing and preserving the integrity of the Gurdjieff Movements. Movements, or sacred dances, constitute an integral part of the Gurdjieff Work.

Series II: Dushka and Jessmin Howarth Papers

The Dushka and Jessmin Howarth Papers include correspondence, scrapbooks, Gurdjieff memorabilia, photographs, and other materials belonging to and collected by them.Much of the correspondence is between Dushka and Jessmin Howarth from the late 1940s and early 1950s when Dushka was living in Europe and studying the Movements. The letters cover topics such as Jessmin’s health and work in New York, Dushka’s living arrangements and travels in Europe, and Gurdjieff’s failing health. There are also many letters to Dushka in the weeks after Gurdjieff’s death, describing the state of affairs among his followers in New York, and requesting reports on the situation in Europe. Later letters are remembrances about certain Movements, and Dushka’s descriptions of her time performing and working on cruise ships in the 1960s and 1970s.

Dushka Howarth’s correspondence from the 1980s to 2007 concerns the research, editing, and publication of It’s Up To Ourselves as well as conversations about preserving the integrity of Movements and inquiries from Movement students and instructors about discrepancies in teaching they have experienced. These discussions lead to the formation of the Gurdjieff Heritage Society. Frequent correspondents include her agent Billie Biderman and Walter Driscoll, editor of a Gurdjieff bibliography. There is also correspondence and flyers relating to Howarth’s membership and participation in the Gurdjieff Foundation, the Gurdjieff Heritage Society, and other related organizations. Gurdjieff Heritage Society material consists of original text files with website content as well as correspondence and photographs documenting the Society’s collaboration with Gert-Jan Blom.

Outside of her exchanges with Dushka, Jessmin Howarth’s other correspondence details life as a follower of Gurdjieff teachings. Some correspondence is outgoing only, as these letters were returned to Jessmin once she began working to reconstruct the Movements. Correspondence with Ethel Merston includes original letters, photocopies, and a notebook of transcribed letters in Jessmin’s hand.

This series holds a small selection of correspondence from Bernard Metz and Elizabeth Gordon to others which was collected by the Howarths. Metz was a note-taker at many of Gurdjieff’s early lectures. The letters from Gordon to Margaret Matthews date from 1924 to 1930 and were given to Jessmin Howarth by Margaret Matthews. Matthews and Gordon were both members of Gurdjieff’s all-female Work group, “The Rope.”

Other items include Jessmin and Dushka Howarth’s passports, appointment books, and address books; and programs, photographs, and contracts from Dushka’s time as a folk singer. Photographs include many images of Dushka Howarth as a child as well as reproductions of photographs of Gurdjieff and his followers. There is a set of labeled and mounted reproductions used for an unidentified exhibit in 2004. These photos depict Gurdjieff alongside his early followers. Gurdjieff memorabilia includes programs and posters from performances and lectures by Gurdjieff and others who transmitted and followed his Work.

Scrapbooks were given to Howarth by others and include a book that depicts the early group working in France, making costumes for the Movements, and performing in exhibitions from 1921 to 1924. A second scrapbook chronicles P.D. Ouspensky’s 1910 trip to India. Most images are of buildings and scenic views.

Series III: Research

Dushka Howarth’s research files consist of internet printouts and photocopies of articles with annotations which she used when writing It’s Up To Ourselves. Research was filed by subject (such as Fourth Way groups), or by individual (such as teachers Osha and John G. Bennett), though the bulk of the research was filed under “Gurdjieff.” These files include copies of articles (primarily from the internet) documenting his life, his work, and his influence. Arranged alphabetically by file title.

Series IV: Writings and Publications

Writings and publications consist of copies of articles, typescripts, and pamphlets collected by Dushka and Jessmin Howarth to preserve and share Gurdjieff research and drafts of It’s Up To Ourselves. The files include memoirs from former Gurdjieff followers such as Olga de Hartmann and Joyce Collin-Smith, as well as contemporary writers’ thoughts on the Gurdjieff methods and various film and theatre scripts about Gurdjieff’s life. There are also transcripts of lectures by Gurdjieff and Alfred Orage. Published journals on Gurdjieff and other related spiritual research are here, the bulk of which are copies of the Gurdjieff International Review. Arranged alphabetically by author or journal title.

Administrative information

Source of acquisition
Donated by Dushka Howarth and the Gurdjieff Heritage Society, Inc., 2012, 2014.

Processing information
Compiled by Lea Jordan, 2015
The hard drive and floppy disks that comprise the Electronic Records were forensically imaged for preservation. Audiovisual material has been separated.

Key terms

Names
Gurdjieff, Georges Ivanovitch, 1872-1949
Howarth, Jessmin
Ouspensky, Mme.
Gurdjieff Heritage Society

Subjects
Dance — Religious aspects
Spiritual exercises
Spiritual leaders and thinkers
Spiritual life

Material types
Photographs
Scrapbooks

Using the collection

Location
Jerome Robbins Dance Division
New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center
40 Lincoln Center Plaza, New York, NY 10023-7498
Third Floor

Access to materials
Collection is open to the public. Library policy on photography and photocopying will apply. Advance notice may be required.

Conditions Governing Use
The author/creator retains copyright of materials. For information on obtaining permission to publish, contact the Dance Division at dance@nypl.org.

Access restrictions
Inquiries regarding audiovisual material in the collection may be directed to the Jerome Robbins Dance Division (dance@nypl.org). Audiovisual material will be subject to preservation evaluation and migration prior to access.

© The New York Public Library, 2015 — Built by NYPL Labs